PROJECTS
2025
A research project exploring sustainable ceramic processes using natural materials and industry waste.
EARTH NOTES
A research project into the neurological and sensory impact of clay, supported by Cryptic Arts and Bath Spa University.
CLAY MINDS: NEURODIVERGENCE AND THE MATERIAL BRAIN
A five-day residency exploring found materials from the Thames foreshore and London clay, with installations, photographs, and texts responding to the Crypt’s subterranean space.
THE CRYPT GALLERY RESIDENCY, LONDON
EARTH STUDIES
A comparative study of native clays in raw and fired states, highlighting their potential for contemporary sustainable ceramic practices.
FREELANDS FOUNDATION STUDIO FELLOWSHIP 24 - 25
An anologue photography project exploring sustainable development methods and clay based printing processes.
A mentoring programme supporting emerging artists across the UK to develop their practice, build networks, and explore new directions in contemporary ceramics.
BRITISH CERAMICS BIENNIAL, TALENT MENTORSHIP
2024
An anologue photography project exploring sustainable development methods and clay based printing processes.
FRAGMENTS
Exploring material responsibility through wild clay and natural dye, House of Imagination Artist Network Exhibition.
MIDDLE GROUND
Exploring natural pigment, print, and quilt as tactile record-making.
CLAY AND CLOTH
Participatory Workshops for House of Imagination alongside Middle Ground Exhibition.
EARTH TO HAND
Sensing Sculpture Workshop inspired by Philida Barlow for Summer Art School at Hauser & Wirth Somerset, in collaboration with the Learning Team
HAUSER & WIRTH SOMERSET, OPEN ART SCHOOL
2023
Site specific interactive installation and research project as part of the Bath Spa University MFA Degree Show, 2022.
THE HUMAN CLAY
Site-Specific Residency, Dorset Coast. A body of site-responsive experiments that explore the intersection of process, material transformation, and place-based intuition.
HOLDING GROUND
An investigation into how clay and saltwater shape each other, tracing erosion, sedimentation, and site as a way of understanding the rhythms of impermanence, memory, and embodied making.
SALT AND CLAY
An interactive installation exploring material agency, gesture, and the politics of touch.
TESTING GROUND
2022
An open investigation into low-impact, regenerative alternatives to harmful ceramic processes.
THE MATERIAL LIBRARY
A site-specific project made up of photographs and words collected during a residency in Porthleven
THINGS THAT SCARE ME, BUT I DO THEM ANYWAY
Mapping memory and place through site-dyed fabric and earth-formed Dorodango forms
EARTH CARRIED
Exploring Site, Ecology, and Collective Making Through Workshops