As part of Middle Ground, I was invited to deliver a public engagement workshop programme supported by House of Imagination. The workshops focused on exploring sustainable creative processes and reconnecting with land-based materials through tactile, intuitive making. Rooted in the ethos of accessibility, care, and ecological awareness, each session invited participants of all ages and abilities to engage with wild, foraged, and native resources in open, responsive ways.

The core workshop, Earth to Hand: Wild Clay Exploration, guided participants through the basics of identifying and preparing wild clay from the local landscape. Together we discussed how to read the land, test for clay content, and reclaim usable material through soaking, sieving, and drying. Participants were encouraged to make instinctive sculptural forms using minimal tools – often just their hands and found materials – fostering a more embodied and intuitive connection with clay. These sessions were grounded in the belief that sustainable ceramics must begin with an understanding of place and process, and a move away from extractive or commercial approaches.

Participatory Workshops with House of Imagination

Earth to Hand


In addition to the clay-focused sessions, I facilitated informal drop-in activities where visitors could experiment with earth pigments on cloth and paper. Using clay slips and natural dyes, we explored how material colour can emerge directly from soil, sediment, and waste. These activities reflected my wider practice and approach to pedagogy – where teaching is a reciprocal, collaborative space for shared learning, experimentation, and slowness.

All workshops were designed to be free and fully accessible, with a strong emphasis on removing barriers to participation. Through these engagements, I aimed to create a space of invitation – one that encouraged curiosity, ecological care, and the value of making with what is already around us.