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E D I E E V A N S
Selected Works
Fragments
Earth Notes
Middle Ground
Salt and Clay
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E D I E E V A N S
Selected Works
Fragments
Earth Notes
Middle Ground
Salt and Clay
The Material Library
About
Workshops
Gallery
Folder: Selected Works
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Fragments
Earth Notes
Middle Ground
Salt and Clay
The Material Library
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Fragments Publication

£19.00

This publication has been created to accompany my upcoming exhibition Fragments. It serves as a vital record of the process behind the work, capturing the relationship between the studio and the land, and how my practice has extended beyond traditional boundaries to engage directly with the environment. Working with the rhythms of the seasons, Fragments explores how material and landscape shape each other, documenting the tactile dialogue between clay, place, and memory.

Fragments is not just about physical objects but about the ongoing conversation between material, place, and time. It reflects the edges where land meets sea, where body meets earth, and where boundaries continuously shift. This is an exploration of how touch, memory, and landscape interact—how the land itself holds time, and how these fleeting, ephemeral moments become fragments of something greater.

The publication includes a text by Eleanor Sanghara, as well as my own written and visual documentation of my year, and photographs of the body of work and its development including analogue photography, cyanotypes, textiles installations and clay objects. It offers an intimate look into the processes and concepts that shaped the exhibition and documents my exploration into the landscape and the studio as interconnected spaces.

This is a limited-edition, pre-order item—orders will be dispatched in March.

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This publication has been created to accompany my upcoming exhibition Fragments. It serves as a vital record of the process behind the work, capturing the relationship between the studio and the land, and how my practice has extended beyond traditional boundaries to engage directly with the environment. Working with the rhythms of the seasons, Fragments explores how material and landscape shape each other, documenting the tactile dialogue between clay, place, and memory.

Fragments is not just about physical objects but about the ongoing conversation between material, place, and time. It reflects the edges where land meets sea, where body meets earth, and where boundaries continuously shift. This is an exploration of how touch, memory, and landscape interact—how the land itself holds time, and how these fleeting, ephemeral moments become fragments of something greater.

The publication includes a text by Eleanor Sanghara, as well as my own written and visual documentation of my year, and photographs of the body of work and its development including analogue photography, cyanotypes, textiles installations and clay objects. It offers an intimate look into the processes and concepts that shaped the exhibition and documents my exploration into the landscape and the studio as interconnected spaces.

This is a limited-edition, pre-order item—orders will be dispatched in March.

This publication has been created to accompany my upcoming exhibition Fragments. It serves as a vital record of the process behind the work, capturing the relationship between the studio and the land, and how my practice has extended beyond traditional boundaries to engage directly with the environment. Working with the rhythms of the seasons, Fragments explores how material and landscape shape each other, documenting the tactile dialogue between clay, place, and memory.

Fragments is not just about physical objects but about the ongoing conversation between material, place, and time. It reflects the edges where land meets sea, where body meets earth, and where boundaries continuously shift. This is an exploration of how touch, memory, and landscape interact—how the land itself holds time, and how these fleeting, ephemeral moments become fragments of something greater.

The publication includes a text by Eleanor Sanghara, as well as my own written and visual documentation of my year, and photographs of the body of work and its development including analogue photography, cyanotypes, textiles installations and clay objects. It offers an intimate look into the processes and concepts that shaped the exhibition and documents my exploration into the landscape and the studio as interconnected spaces.

This is a limited-edition, pre-order item—orders will be dispatched in March.